Rebecca Horne oversees and directs The Transmitter’s multimedia operations and commissions illustrations, photography, videos and other multimedia content. Prior to joining the team, Rebecca was photography director and photography editor for Discover magazine and The Wall Street Journal, where she won several awards for her work. Originally from California, she has also served as an art producer at the advertising agency Addison Design, a photography producer at Airbnb and the multimedia app Storehouse. She has also taught photography at the California College of the Arts and Rutgers University, and has written on art and science for Wired, CNN, The Wall Street Journal, Nautilus and others.
Rebecca Horne
Art director
The Transmitter
From this contributor
Scientists push back against stricter European Research Council grant application rules
What neuroscientists want from a new NINDS director
Letter asks Congress for nearly $500 million to sustain BRAIN Initiative
Marcelle Lapicque: A forgotten pioneer in neuroscience
Autism researchers ‘pleasantly surprised’ by list of NIH data project grantees, despite initial concerns
Education
- M.F.A., Rutgers University
- B.F.A., San Francisco Art Institute
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A specific hippocampus-to-amygdala pathway reassigns emotional valence to a known individual, whereas the hippocampus’s own representation of that individual’s identity remains stable.
From friend to foe: How the brain updates feelings toward others
A specific hippocampus-to-amygdala pathway reassigns emotional valence to a known individual, whereas the hippocampus’s own representation of that individual’s identity remains stable.
Mass-produced science is coming. What happens to scientists?
Artificial intelligence may soon enable researchers to generate high-quality science at a previously unimaginable speed. For science consumers—the public, medical patients, technology users—the likely effects will be positive. For scientists, the effects will be as disruptive as industrial mass production was for artisan manufacturers.
Mass-produced science is coming. What happens to scientists?
Artificial intelligence may soon enable researchers to generate high-quality science at a previously unimaginable speed. For science consumers—the public, medical patients, technology users—the likely effects will be positive. For scientists, the effects will be as disruptive as industrial mass production was for artisan manufacturers.
Neuropathologist not guilty of research misconduct, says university probe
The investigation determined that seven papers by corresponding author Adriano Aguzzi have “scientifically significant” errors, which Aguzzi attributes to his former students.
Neuropathologist not guilty of research misconduct, says university probe
The investigation determined that seven papers by corresponding author Adriano Aguzzi have “scientifically significant” errors, which Aguzzi attributes to his former students.