Rebecca Horne oversees and directs The Transmitter’s multimedia operations and commissions illustrations, photography, videos and other multimedia content. Prior to joining the team, Rebecca was photography director and photography editor for Discover magazine and The Wall Street Journal, where she won several awards for her work. Originally from California, she has also served as an art producer at the advertising agency Addison Design, a photography producer at Airbnb and the multimedia app Storehouse. She has also taught photography at the California College of the Arts and Rutgers University, and has written on art and science for Wired, CNN, The Wall Street Journal, Nautilus and others.
Rebecca Horne
Art director
The Transmitter
From this contributor
Autism researchers ‘pleasantly surprised’ by list of NIH data project grantees, despite initial concerns
NIH cuts quash $323 million for neuroscience research and training
Sounding the alarm on pseudoreplication: Q&A with Constantinos Eleftheriou and Peter Kind
FlyBase funding squashed amid Harvard grant terminations
Education
- M.F.A., Rutgers University
- B.F.A., San Francisco Art Institute
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Modern AI is simply no match for the complexity likely required for harboring consciousness, says Jaan Aru
He argues that our brain’s computations are of a completely different nature than any artificial intelligence because they take place across many spatial and temporal scales and are inextricably entwined with biological materials.
Modern AI is simply no match for the complexity likely required for harboring consciousness, says Jaan Aru
He argues that our brain’s computations are of a completely different nature than any artificial intelligence because they take place across many spatial and temporal scales and are inextricably entwined with biological materials.